With Desk, work doesn’t have to be stiff and limited – let the imaginative shape give room for your creativity to unfold, and experience how it feels to have a little extra energy added to the process. Desk can therefore be included in a multitude of styles and needs of spaces, both now and in the future. But those details have not only been put there for visual delight but also to ensure the functionality of Desk.
The upturned flip in combination with the shelf, mimics the lines of ballet dancing. Thanks to the build in shelves, Desk gives you a little extra room – and that little extra something that makes the desk yours. During 3daysofdesign - Among sculptures in Kongernes Lapidarium Anne Linde will present a brand new range of hooks and accessories designed as an. Whether Desk is placed in the foyer for a quick Skype meeting or as the center of a creative space, desk has been designed to make you feel inspired. Name: Anne-Linde Visser Main Subject: Baroque Cello Research Supervisor: Johannes Boer Title of Research: Seventeenth century (Italian) cello playing. Role/Specialty/Primary interest: Emergency radiology Level of training: Junior Doctor (HMO year 2+) Location: Germany Radiopaedia status.Radiopaedia status: Radiopaedian since Febr. Anne Linde sortimentet byder også på Sheet opslagstavlen, den simple Ledge hylde og spændende accessoires som er med til, at gøre din Anne Linde hylde endnu mere fleksibel og anvendelig. Desk is therefore perfect for smaller and slimmer spaces. Anne Linde står bag de populære hylder Ledge:able og Big:ledge og de større showcase reoler. She especially enjoys playing basso continuo, which has been described as ‘excellent’ (Early Music Reviews) and ‘impressive: unobtrusive yet decisive’ (Opera Today).The dimensions of Desk make rooms both for real an unforgettable work to be done, but without taking up extensive space.
With the Castello Consort she was recently accepted to take part in the Eeemerging-programme. Besides that, she regularly performs with the Laurenscantorij, Ars Musica and the Dutch Baroque Orchestra. Anne-Linde is ‘Young Bach Fellow’ of the Nederlandse Bachvereniging and member of the Theresia Youth Baroque Orchestra (Italy). Last year she studied with Jonathan Manson at the Royal Academy of Music in London (Erasmus Exchange). In my opinion, those treatises are not only valuable for 17th century repertoire, but could be also a source of inspiration for any other repertoire.Īnne-Linde Visser (The Netherlands, 1992) studies baroque cello with Lucia Swarts. Join Facebook to connect with Anne Sofie Linde and others you may know. Written in even greater detail concerning articulation, are the treatises for wind instruments. View the profiles of people named Anne Sofie Linde. Ganassi (16th century) already gives some very important ‘rules’ on string-playing that are still applicable today. The treatises by Sylvestre Ganassi, Riccardo Rognioni and Francesco Frognoni, were my main sources for bow-technique. In terms of bow hold, underhand bow hold is seen the most, but also overhand bow hold can be seen towards the end of the 17th century. Iconography shows us that there are a lot of possibilities to play the cello.
The sources used include mainly treatises and iconography (taking into account that not all iconography is appropriate). In short, my research contains the following elements: the bow, the bow-hold, bow-technique and other sources on articulation. Repertoire which is written especially for the violoncello starts in the late 17th century, but a lot of this repertoire was still composed in the old style. Bekijk het volledige profiel op LinkedIn om de connecties van Anne-Linde en vacatures bij vergelijkbare bedrijven te zien. Anne-Linde heeft 11 functies op zijn of haar profiel. The first cello treatise was not written until 1741 (Corette) and therefore most cellists will play this repertoire with a late 18th century (bow) technique. Bekijk het profiel van Anne-Linde van Gameren op LinkedIn, de grootste professionele community ter wereld. My aim for this research was to find out more about 17th century cello playing, with the focus on bow technique. How can we regain seventeenth century bow-technique for cello repertoire? Title of Research: Seventeenth century (Italian) cello playing, focusing mainly on bow technique
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